Fans of klezmer-hop, NOLA-soul, zydeco-punk and other exciting hyphenated musical experiments being featured at the Mundial Montreal festival this week should check my preview about it for CBC Music.
Author: Brianna Goldberg
I Pretty Much Had Brunch With Claire Danes (LINK)
In which I describe, in probably too much detail, My So-Called Brunch with Claire Danes.


“Let us record the atoms as they fall upon the mind in the order in which they fall, let us trace the pattern, however disconnected and incoherent in appearance, which each sight or incident scores upon the consciousness.”
― Virginia Woolf, The Common Reader
Best of the Standard: That American Life and This Canadian Radio (LINK)
Dudeskis, my thingie about Ira Glass at Massey Hall made it onto the Best of the Standard newsletter. I’m so jazzed that something I wrote is creating conversation about what we’d love to hear on public radio in Canada… and I also kind of can’t believe it. Thanks for being interested, peeps!
Best of the Standard: That American Life and This Canadian Radio (LINK)
Review: That American Life and This Canadian Radio
My possibly controversial and definitely earnest review of Ira Glass’ lecture thingie at Massey Hall last weekend, for the always delightful Toronto Standard.
Reading ‘The Clock’
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I recently visited The Power Plant gallery in Toronto, to experience an installation called The Clock. And it was pretty woo-woo crazy. I’m no philosopher and the experience of the thing sort of broke my brain, but I shall try to describe it as a 24-hour-long video in which each minute of the day is depicted in film (sometimes from Hollywood, sometimes from obscure Japanese art films, and all sorts in between). For instance: it shows 2:56pm on your wrist-watch? Then The Clock will be showing a minute of film that features a watch or clock set at 2:56pm. It was, as this review suggests, a project that freakishly “dismantled” my experience of time. And so I tried to make sense of it in my notebook as I watched for an hour one Saturday afternoon. Problem is, I was writing in the dark during an experience that “dismantled” my understanding of the world around me. So unlike when I review notes taken at a concert or play review, and can sort of piece together what I wrote, the notes I took at The Clock are, upon review, totally whack. What follows is my attempt to make sense of the scribbles in my notebook during that time-warpy, mind-melty hour of film.
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TNY- Time Passing- The Clock * I have no idea what this was referring to. Maybe The New Yorker? Was I supposed to go back and reread the piece about it in The New Yorker?
Denzel, Beatrix, as a movie montage *I really need to start learning to write in complete sentences when taking notes on shizz like this…
Matt Damon is so young! *Yes!?
Fluidity, ethnicity, seamless *I feel like I may have really been on to something here.
Bundle profs fall on rhythm, chess review *Do you think I have the beginnings of a great psychedelic novel, maybe?
Bruce Willis multiple roles *Well, that’s true. He was in it A LOT in the hour between 4-5.
Tension with sound, rhythm *Ooh, I do remember that: Marclay managed to create real emotional swells of tension and release by manipulating the audio levels with overlays.
Other kinds of clocks *Yes! What ABOUT other kinds of clocks? Later in the film, I did experience a minute of a film depicting ancient Indian royalty and their hoarding of elaborate and strange-looking clocks.
WANT- The Sketchbook Project
“The Sketchbook Project is a global, crowd-sourced art project where participants from all walks of life are sent a sketchbook and have until January 15th to fill the pages and return it for inclusion in a traveling exhibition and permanent collection at The Brooklyn Art Library.
Anyone – from anywhere in the world – can participate in the project.”
Wowie, I so want to do this. It’s worth a $25 investment, right?
Small Mercy
I was very upset that I wasn’t sleepy again tonight. And then I remembered that I haven’t yet finished reading my latest US Weekly. And everything was okay.




